CALYPSO: A WORLD MUSIC
HISTORICAL MUSEUM OF SOUTHERN FLORIDA
Introduction
Calypso in Trinidad
International Calypso
Artists
Songs
Calypso Today

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West India Regiment
 

Africa

Throughout the World:

    Africa
    Europe
Canada
    Asia and the Pacific

During the mid-twentieth century, calypso became popular in British colonies in West Africa, including Sierra Leone, Ghana (Gold Coast) and Nigeria. Caribbean sailors visited West African ports and Caribbean professionals settled in the region. People from the Caribbean and Africa also interacted with each other in England. Gradually, calypso records reached West Africa. The recordings of England-based calypsonian Lord Kitchener were particularly popular. Kitchener was also featured on the BBC's African radio service.

 

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Sierra Leone Music

During the early twentieth century, "palm-wine" music gained popularity in port cities of West Africa. A blend of Atlantic sea shanties and African musical traditions, this music featured the guitar as a lead instrument. Sailors from Liberia, in particular, helped to spread the new music across West Africa. By the 1940s, calypso had a substantial influence on palm wine music, particularly the "maringa" style of Ebenezer Calender, the son of a Barbadian soldier who had come to Sierra Leone with the West India Regiment. Maringa was popular in Sierra Leone during the 1950s and 1960s; both Decca and local companies issued numerous recordings. Like calypsos, maringas commented on political events and everyday life.

In the 1940s and 1950s, calypso also influenced the local dance band "highlife" music of Ghana. During World War II, small highlife combos increasingly experimented with jazz styles, due in part to the influence of American and British troops stationed in the country. Following the war, the Tempos, led by trumpeter/saxophonist E. T. Mensah, became the dominant highlife band. The Tempos' drummer, Guy Warren, introduced calypso to the band, after encountering the music in England. During the 1950s, E. T. Mensah and the Tempos toured throughout West Africa and recorded with Decca. Highlife songs offered commentary on a variety of topics, ranging from the political independence of African colonies to relationships between the sexes.

 

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E.T. Mensah

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King Bruce

 

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